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Wappen Field 4.0 (6 Helmets) at Beall Center for Art + Technology, UC Irvine, Irvine, CA, 2013

Walking into and among the helmets, participants may experience the sea of helmets as a field of souls dispossessed of their bodies. For others, it may evoke a graveyard, where we perceive our ancestors and future descendants as one with us in the present. Some may experience the frontal presentation and the precision of the configuration as a militaristic assault.

Wappen Field 4.0 (6 Helmets) in Sight and Sound, at Beall Center for Art + Technology, UC Irvine, Irvine, CA, 2013

October 3, 2013 - January 25, 2014

Other Artists in show: Paul Demarinis, Lewis deSoto, George Legrady, and Ed Osborn

The 15-minute vocal piece, composed by Michelle Jaffé, utilizes SuperCollider software to distribute male and female voices dynamically throughout the helmets, creating dissonance, rhythms, and vortexes of sound.

Credits

Michelle Jaffé
Wappen Field, 2003–2011


Concept, Composition, Sculpture, Structure Design, Models, 3-D Renderings
9’ x 18’ x 9’

Chrome Plated Steel, Speaker Drivers, LED’s, Amplifiers, Audio Interface, Power Conditioner, SuperCollider, Aluminum Structure, Computer

Original Music and Vocal Director
Ayelet Rose Gottlieb

Code Design and Composition Development
David Reeder

Vocalists
Ayelet Rose Gottlieb, Akim Funk Buddha, Nick Hallet, Kyoko Kitamura, Sofia Rei Koutsovitis, Jeremiah Lockwood, Fay Victor

New York State Council on the Arts New Media grant
New York Foundation for the Arts fiscal sponsorship

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“Come to Bed” at Bosi Contemporary, New York, NY, 2015

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Wappen Field 3.0 at Bosi Contemporary, New York, NY, 2012